Search Results

By Mia Horsfall < Back to Issue 3 AI and a notion of 'artificial humanity' By Mia Horsfall 10 September 2022 Edited by Breana Galea and Andrew Lim Illustrated by Matthew Duffy Next In the cradle of the day, a girl blinks to life. The sun is cool, still crouched beyond the trees, waiting for its cue to take centre-stage. Knees and knobs and spokes and all, she struggles to stand in the grass, furrowing her toes into the Earth for traction. Clean, unmarked and without memories, she looks to the sky with contentment, unaware of the work ahead. The notion of “Artificial” Intelligence is an interesting way to describe the vast and variegated mechanisms it encompasses. Not only does it pre-suppose the existence of “intelligence” within these machines, but it implies the existence of some antithetical “natural” intelligence. The term itself is a dichotomy, simultaneously alienating and connecting AI to humans. This poses some significant moral and ethical dilemmas that are becoming increasingly difficult to ignore. As the advent of AI becomes more intricately interwoven with mundane happenings, we are forced to grapple with the seemingly unanswerable question: At what point does “Artificial” Intelligence become indistinguishable from “Authentic” Intelligence? With the advent of Artificial Intelligence, public opinion surrounding the role AI should and does occupy has undergone dramatic alterations. Films and books such as “Her” (2013) and “Klara and the Sun” (2021) have explored the implications of assimilation of AI with humanity. In both pieces, AI transcends the purely utilitarian role originally defined and progresses into emotional connections with human counter-parts. It stands to reason that if these AI can enter and engage in emotionally significant relationships in the same capacity as humans, what exactly does the distinction between human and machine become? In order to define what AI is, we should first come to a conclusion of what it means to be human. So why is it so important to arrive at a definition of humanity in considering the ethics of AI inclusion in society? Well, as Hauskeller points out ‘the term ‘human’ is not primarily used to refer to a particular kind of entity...it implies a particular moral status’ (Hauskeller, 2009). That is, a subject is assigned a higher moral value in its assignment as ‘human’ and a purely physical application of the word would result in little distinction between us and other species. ‘A meaning of the word is a kind of employment of it’ (Wittgenstein, 1953), suggesting meanings and the terms to describe them are co-dependent and self-referential. Hence what it means to be ‘human’ is directly aligned with what subjects are assigned such a title. But arriving at a definition for “human” is no easy task. Philosophers and scientists have debated what constitutes the term human with little success, the definition changing across historical periods. In order to demonstrate the transient nature of the term ‘human’, a comparative analysis of definitions across historical periods provides a comprehensive overview of the dynamism that defines humankind. Hauskeller contends that any given definition of ‘human’ is ‘persuasive’. That is, each attempt ‘implicitly or explicitly claims to be of prime significance for the way we ought to lead our lives’ (Haukeller, 2009). By nature of the fact there exists multiple definitions of what characterises humanity, it can be inferred ideals of human society are themselves transient. For instance, Plato contends intelligence prevails above every aspect of human nature (White, 2013) as it is ‘the only part of himself which he does not share with the animal kingdom’ (Plato, referenced in White 2013). Whilst this definition may appear simplistic or constrictive, it is also not intrinsically wrong, merely indicative of the era in which it was formulated. Kant expounds upon the need to define ‘humanity’ asserting that any definition of an individual in isolation from a collective is futile and insufficient. Rather, it is only the ability ‘to treat himself and others according to the principle of freedom under the laws’ (Kant, referenced in Cohen, 2008) that defines humanity. In essence, it is only in relation to others that individuals may exist as human, congruent with Cohen’s assertion that ‘the study of the other is the yardstick by which men measure their own common humanity’ (Cohen, 2008). Heidegger adopts a markedly different approach in his ‘Being and time’, recognising the fluidity of human nature and creating Dasein who Oleson asserts is ‘the being of a human being, understood as the being that is concerned with being itself’ (Oleson, 2013), embodying the definition of humanity through a representation of the history of being (Oleson, 2013). Dasein exists as ‘the connection between historicality and temporality’ (Heidegger, 1927), and in this way, Heidegger seeks to define humanity by means of its instability. From these hugely variegated definitions of what constitutes the state of being human, it becomes clear we are unlikely to determine one singular, immutable definition of what it is to be human. Hence, it is difficult to have a constant point of comparison to see whether AI has “surpassed” its limits and transcended into some form of humanity. But with the increasing capabilities of AI, it stands to reason there be provisions in place in both law and politics to account not only for the implications of AI upon humanity, but for the representation of AI and its potential forms. Even if this representation or legislation is aspirational, it stands to reason there be policies in place, as various machine learning figures become more and more prominent in society and culture. At the end of the day, the girl stands cemented in her place. The line between her arms and the cogs she operates is indistinguishable amongst the black haze of smoke. In a town not too far from here, children kiss their mothers good night and fall asleep. But here, in this place, with this grime, she stands cold and unfeeling, the sky obscured by the machinery above. Previous article Next article alien back to

< Back to Issue 4 The Mirage of Camouflage by Krisha Ajay Darji 1 July 2023 Edited by Megane Boucherat and Tanya Kovacevic Illustrated by Aisyah Mohammad Sulhanuddin Imagine driving on a highway and the road is shimmered by the scorching midday sun. Whilst you drive further on a day like this, you might envision a wet patch gleaming on the road. Does it make you wonder how a mirage passes by playing with your vision? While there is physics involved in this phenomenon, evolution through natural selection has rendered some of its own biological members the ability to play with visual perceptions in subtle but enchanting ways! What comes to your mind when you hear the word camouflage? Some might visualize a chameleon blending in almost any background possible. Others might envision a soldier wearing camouflage pants and shirts to match the earthy tones for their defence. Colourful frogs, butterflies, snakes and so on might cross your mind as you think deeper about this phenomenon. Nature is filled with some of the most fascinating examples of camouflage. Camouflage as a Prehistoric Phenomenon The coloration patterns found on the Sinosauropteryx, a tiny, feathered, carnivorous dinosaur that lived in what is now China during the Early Cretaceous period was studied by a group of scientists. They discovered evidence of coloration patterns corresponding to modern animal camouflage by tracing the distribution of the dark pigmented feathers over the body. This included stripes running around its eyes and across the tail, and countershading with a dark back and pale bottom. By contrasting and comparing the mask and striped tail with the colours of contemporary animals, we can learn more about the evolution of camouflage as a means of natural selection [1]. The presence of stripes on only tails rather than the whole body of certain animals is not well understood, but they are suspected to function as a type of disruptive camouflage. Disruptive camouflage means visually separating the outline of a portion of the body from the others and to make it less noticeable. It could also serve as a type of deception by attracting predators' attention to the tail and away from the more vital parts - the body and head. Birds are found to be the most evident illustration of this as they descend from the theropod dinosaur [1]. Early tyrannosauroids, the ancestors of the ferocious T-rex, coexisted with Sinosauropteryx and may have even hunted the little dinosaur. Sinosauropteryx hunted tiny lizards, as was demonstrated by direct evidence in the shape of a whole animal preserved in the stomach of one of the specimens found. Hence, it is clear that camouflage patterns were developing at that time; since vision was critically important to these dinosaurs while they were hunting and being hunted. This example demonstrates camouflage as a prehistoric phenomenon and its evolution in the animal kingdom. Camouflage in Modern Day Animals Animals use camouflage primarily for defence. Blending in with their background prevents them from being seen easily by predators. The use of warning coloration, mimicry, countershading, background matching and disruptive coloration are mechanisms through which animals employ camouflage. Sneaky Snakes! The harmless scarlet king snake has stripes that resemble those of the deadly coral snake, but it is not poisonous. The only significant distinction between the two is the arrangement of the colours in their patterns. While the pattern for coral snakes is red-yellow-black, for scarlet king snakes it is red-black-yellow [2]. The difference is simple for anyone to remember thanks to a rhyme! Red on yellow kills a fellow, Red on black won’t hurt Jack! This is a classic example of mimicry: a form of camouflage in which one organism imitates the appearance of another to avoid predators. The Walking Leaf! The leaf insect or the waking leaf belongs to the family Phylliidae and is quite like its name. The walking leaf's body has patterns on its outer edges that look like the bite marks that caterpillars leave behind in leaves. To resemble a leaf swinging more accurately in the breeze, the insect even sways while walking! This is an example of a type of camouflage known as background matching- one of the most prevalent forms of camouflage. It is a mechanism through which a particular organism hides itself by resembling its surroundings in terms of its hues, shapes, or movement [2]. Mottled Moth! It is challenging for predators to determine the form and direction of the tiger moth as it is mottled with intricate patterns of black, white, and orange on its wings. This is an example of disruptive camouflage: when an animal has a patterned coloration, such as spots or stripes, it can be difficult to detect the animal's contour [2]. Lurking Leopards! Black rosettes on a light tan backdrop serve as the hallmarks of the leopard’s well known coat patterns. Their coats also include a subtle countershading to help them amalgamate with their environment and evade detection by prey. A leopard's body has a significantly lighter underside than the rest of its coat, which consists mostly of its belly and the bottom of its legs. This produces a shading effect that helps conceal the leopard's body form and contour, making it more challenging to see in low light or when seen from below. This is a typical example of countershading, which is a type of camouflage wherein the animal’s body is darker in colour, but its underside is lighter. It works by manipulating the interactions between light and shadows; thus, making the animal difficult to detect [2]. But what allows these animals to change their colours? Animals can camouflage themselves through two primary mechanisms: Pigments - biochromes Physical structures - prisms While some species have natural and microscopic pigments known as biochromes, others possess physical structures like prisms for camouflage. Biochromes can reflect some wavelengths of light while absorbing others. Species with biochromes can actually seem to alter their colour. Prisms can reflect and scatter light to give rise to a colour that is different from the animal’s skin [2]. Camouflage is not quite restricted to the sense of vision. There are several other ways evolution has taught the living world to adapt and protect themselves in the wild. There is a whole exciting world of behavioural and olfactory camouflage employed by diverse species in the animal kingdom. Ultimately, the compelling association of camouflage with the phenomenon of mirage conveys to us how nature always evolves and expands to secure the continued existence of its inhabitants. From the glistening heat of mirages on arid vistas to the delicate patterns on the wings of a butterfly, this fascinating juxtaposition of mirage and camouflage delivers a peek into the incredible mechanisms that animals deploy to traverse their natural habitats and survive amidst the obstacles they encounter. References Smithwick F. We discovered this dinosaur had stripes – and that tells us a lot about how it lived [Internet]. 2017 [cited 2023 May 12]. Available from: https://theconversation.com/we-discovered-this-dinosaur-had-stripes-and-that-tells-us-a-lot-about-how-it-lived-86170 National Geographic. Camouflage [Internet]. [cited 2023 May 12]. Available from: https://education.nationalgeographic.org/resource/camouflage/ Previous article Next article back to MIRAGE

< Back to Issue 9 Ancient Asian Alchemy: Big Booms by Isaac Tian 28 October 2025 Illustrated by Aisyah Mohammad Sulhanuddin Edited by Luci Ackland One question has plagued the human condition since the beginning of time: how can we escape death? Well, we certainly know who didn’t find the answer – the alchemists of ancient China. It’s 210 BC, and you are an alchemist standing before Emperor Qin Shi Huang in his court. You hand him an elixir supposed to grant him immortality and eternal reign. Only the serum contains what we now call “mercury” and if anything, you granted him mortality, as he drops dead before you (1). Where does one begin in this journey to immortality? How do we combine chemicals to find the perfect serum? Keep in mind, we have not even come close to establishing the periodic table at this point (no, that will occur about 1000 years later) (2). Saltpetre – or potassium nitrate – had been used extensively to treat common illnesses and to maintain good health. There’s our starting point (3). The search for this magic elixir persists for the next eleven centuries. We never give up… do we? The ingenuity of the alchemists spoke to them: it told them to mix in a few other ingredients to the saltpetre. With the trio of saltpetre, sulfur and charcoal, gunpowder was henceforth born into this world (4). The alchemists must have been in for a surprise when their “potion of immortality” sparked and exploded before them. So how does gunpowder explode? Why don’t other flammable items like match tips and dry wood explode when we set them alight? It comes down to a few key things. First is our perception of explosions. Chemicals don’t simply “explode” – it’s not an inherent quality of reactions – however, they can combust. Combustion is the release of energy from a fuel. Wood and matches combust, but they do so in a way that is relatively slower than gunpowder. Gunpowder combusts rapidly – so there is a large amount of energy release within a short period of time. Secondly, it’s about the availability of oxygen. Items that combust slowly typically have to wait for the oxygen to trickle in from the surrounding air, since oxygen is a critical component of combustion. This does not apply to gunpowder. The oxygen for its combustion is right there in the nitrate compound (of potassium nitrate – or saltpetre). So unlike burning wood or matches, the combustion does not need to wait for oxygen to arrive from the surrounding environment – it’s already in there with the rest of the powder (5)! To go further on that point: the closer the atoms are, the faster the combustion reaction can progress, because chemical compounds don’t need to wait long for the heat to get to them. Since gunpowder is… well… a powder, it’s rather compact and all the molecules of potassium nitrate, sulfur, and carbon sit tightly next to one another. It is this physical arrangement that permits the fast transfer of heat between molecules, ensuring that a lot of energy can be released at once. Ultimately, when all these physical and chemical phenomena occur in perfect unison, the high temperatures rapidly increase the kinetic energy of surrounding air molecules, causing them to shoot outwards at great speeds to form a “barrier” of sorts. When this barrier, also known as a shockwave, hits your eardrums, the gunpowder delivers what it does best: BOOM! Now, let’s combust some gunpowder, build up some gaseous pressure, and launch ourselves into the modern day. It’s been about twelve centuries – what have we been doing with all the gunpowder? As it turns out, we humans are very inventive, but also violent (Wow – who knew?). We quickly realised that the physical properties of the resulting gases can be harnessed to quickly move very heavy objects (6). Said heavy objects could then be guided in the direction of, say, a human being or a structure. Weaponry derived from gunpowder has existed for a very long time, albeit rather inefficient at first. The introduction of gunpowder to warfare came in the early 10th century, when soldiers applied gunpowder to arrows that would ignite and create fire arrows. Of course, whilst it might have been effective in creating a hole in humans, it was significantly less so when it came to creating holes in walls and structures. Only after 300 years did we then invent cannons and guns. However, those guns were slow – really, really slow – to the point that bows and arrows were actually preferred during warfare of that era. It would be another 600 years before we realised that there were more effective ways of reloading a gun; brandishing a new trend of military technology that would set the stage for the First and Second World Wars (7). By that point, the most terrifying of weapons had begun to stray away from the use of gunpowder. Missiles and rockets began employing other chemicals as propellants, owing to the advantage it had over gunpowder (7). It would also be remiss of this article to omit the exploitation of atomic power – pervading the world with such destruction that gunpowder appeared like a child’s toy (8). The tragic irony of a supposed innovation in immortality leading to mortality by war and conflict will forever embed itself into our history. Even with the right intentions, the invention by the great minds of alchemy has sparked a chain reaction for widespread destruction and warfare. It only makes you wonder – what are we making now that will lead us further astray in the future? References 1. Glancey J. The army that conquered the world. BBC. Accessed August 24, 2025. https://www.bbc.com/culture/article/20170411-the-army-that-conquered-the-world 2. Guharay DM. A brief history of the periodic table. ASBMBTODAY. Accessed August 28, 2025. https://www.asbmb.org/asbmb-today/science/020721/a-brief-history-of-the-periodic-table 3. Butler A, Moffett J. Saltpetre in Early and Medieval Chinese Medicine. Asian Medicine . 2009;5(1):173-185. doi: 10.1163/157342109X568982 4. Paradowski, R.J. Invention of Gunpowder and Guns. EBSCO Research Starters. 2022. Accessed August 24, 2025. https://www.ebsco.com/research-starters/history/invention-gunpowder-and-guns 5. Stanford University. Detonation and Combustion. Stanford University. Accessed September 4, 2025. https://cs.stanford.edu/people/eroberts/courses/ww2/projects/firebombing/detonation-and-combustion.htm 6. Britannica. Ammunition | Bullets, Shells & Cartridges. Britannica. 2025. Accessed September 25, 2025. https://www.britannica.com/technology/ammunition 7. Beyer G. How Did Gunpowder Change Warfare? TheCollector. 2025. Accessed October 4, 2025. https://www.thecollector.com/how-did-gunpowder-change-warfare/ 8. ICAN. History of Nuclear Weapons. ICAN. Accessed October 4, 2025. https://www.icanw.org/nuclear_weapons_history Previous article Next article Entwined back to

< Back to Issue 8 Why Are We So Fascinated by Space? An Exploration of Human’s Fascination with Outer Space by Emily Cahill 3 June 2025 Edited by Weilena Liu Illustrated by Saraf Ishmam I have always been enamoured by the stars. Sitting on the beach after sunset, staring up at the sky, has always given me this hopeful, grateful feeling - for what I have, and for what’s to come. It has made me wonder, why do I feel this way? Why do I feel hope instead of fear, staring into the great darkness? Is it pure curiosity or is it curated by society? Culture encompasses the ideas, customs, and manifestations that we hold regarding space. Films have been the leading presentation of outer space for many entertainment industries around the world and make visuals of space accessible for many. Many commercials, whether for global or local companies, feature advertising set in or about outer space, filling magazines, billboards and television ad breaks. From astronomy to geology to botany, many scientific fields are involved in outer space research and centre around the universe to seek answers. Culture, the entertainment industry, commercialization, and science could all be contributing factors to this fascination, and may have just as great an impact as innate curiosity. Culture Throughout time, there has been a leap from admiration to exploration of outer space. Myths and folktales about outer space and the stars have existed for centuries. The constellations were defined by humans based on patterns associated with these myths and folktales (1). Perhaps space is something that has connected all humans regardless of where and when because it has always existed for us to admire. From folktales to automated rocket ships, the human desire to explore launched our voyages in space. From designing caravans to traverse the countryside, to building boats to cross the sea, to assembling submarines to travel to the bottom of the ocean, humans have always created whatever they need to explore the unknown. The ‘father of modern rocketry’ Konstantin Tsiolkovsky said, “The Earth is the cradle of humanity, but one cannot live in a cradle forever” (2). These inspiring words align with many scientists and space exploration companies like NASA, emphasizing the importance of space travel to satisfy curiosity. There are also underlying cultural reasons that push space exploration. The 1961 Apollo space mission was presented as an opportunity to discover the unknown, but in fact was for another reason. Apollo Astronaut Frank Borman said, “Everyone forgets that the Apollo programme wasn’t a voyage of exploration or scientific discovery, it was a battle in the Cold War, and we were Cold War warriors. I joined to help fight a battle in the Cold War and we’d won” ( Hollingham , 2023). Pop culture also has a large influence on how we see outer space. Katy Perry and Gayle King went to space just a few months ago, heralding female astronauts, but at the same time, reinforcing the growing idea of space tourism. Entertainment Perhaps the most common and tangible depiction of outer space - other than gazing at the sky itself - is in films. Star Wars was and continues to be a cultural phenomenon, even garnering the distinction of a global holiday on the 4th of May. The films Gravity (2013), Interstellar (2014), and The Martian (2015) centre around heroes in unbelievably intense scenarios trying to solve problems to better the human race. The success of these films may be due to the strength of the actors and writing alone, but is more likely due to the dueling feelings of fear and hope that accompany the setting of outer space. The deep sea and outer space are both settings where films have thrived, potentially because of the human instinct for curiosity, and in turn, the impulse to root for and care about the characters. Given the influence of entertainment on culture, if these movies depicted space as a scary, dangerous, and outlandish environment, we might not feel as excited or positive about space. Both our conceptions of the unknown and the influence of the entertainment industry shape our perceptions of outer space. Interstellar is praised by critics for its ability to let us see ourselves as the protagonist - solving impossible puzzles and searching for the answers to life - while reflecting the emotionally beautiful and terrifying landscape of human existence in outer space (4). Commercialization For decades, advertisements have featured outer space as a setting or main theme for the storyline. Some ads are even filmed in space. In 2001, Pizza Hut sent an astronaut in a rocketship with a camera and a pizza, becoming the first commercial actually shot in space (5). Olay and Girls Who Code collaborated in a 2020 Super Bowl commercial with Katy Kouric, Taraji P. Henson, Busy Phillps, and Lilly Singh with the tagline “make space for women” (6). Madonna Badger - the COO of the advertising agency that ran the Olay commercial - said that space gives us somewhere to escape to in the midst of tough times: “W e’re living in pretty anxious times. When things on Earth become so stressful, there’s something about space that gives us permission to dream” (5). The CCO of Walmart, Jane Whiteside echoed Badger, saying, “It’s a really strange time to be an earthling right now. There’s this interesting confluence of extreme anxiety and a sense of optimism that somehow, we’re going to figure things out.” He said, “Space is the epitome of that. It’s unbridled optimism” (5). The 2020 Super Bowl Walmart commercial centered around a Walmart delivery person dropping off groceries to aliens on another planet. Outer space is on our televisions and devices as the setting for some of the biggest advertisements, for the biggest companies, suggesting a sense of importance and grandeur. Science The hunt to answer the questions “Where do we come from?”, “Are we alone in the universe?”, and “What is out there?” is another factor that may drive our fascination with space. Not only do we enjoy admiring it, but we also want to gain something from it. Scientists say that these questions can potentially be answered, and fields like paleontology, geology, botany, and chemistry work together to answer them. One of the current driving forces of this research is the search for another planet that can support human life if Earth becomes uninhabitable (7). Climatologists are able to learn more about Earth’s climate from the climate of other planets and gain natural resources that benefit our planet. Mars’ climate has undergone drastic changes, including the presence of water and the loss of atmospheric gases - changes we can learn from using paleontology and geology to discover how organisms on Mars may have adapted (7). Whether launching into space or stargazing, humans continue to look up into the sky - whether for a defined reason or not, it will continue to remain a mystery. References 1. National Sanitation Foundation. (2012). What are Constellations? National Radio Observatory. https://public.nrao.edu/ask/what-are-constellations/ 2. NASA. (2015). The Human Desire for Exploration Leads to Discovery. https://www.nasa.gov/history/the-human-desire-for-exploration-leads-to-discovery/ 3. Hollingham R. Apollo: How Moon missions changed the modern world. BBC. 2023 May. https://www.bbc.com/future/article/20230516-apollo-how-moon-missions-changed-the-modern-world 4. Scott A.O. Off to the Stars, With Grief, Dread and Regret. New York Times. 2014 Nov. https://www.nytimes.com/2014/11/05/movies/interstellar-christopher-nolans-search-for-a-new-planet.html 5. Zelaya I. Why Outer Space Is a Go-To Theme for Super Bowl 2020 Ads. Adweek (Super Bowl Commercials). 2020 Jan. https://www.adweek.com/brand-marketing/why-outer-space-is-a-go-to-theme-for-super-bowl-2020-ads/ 6. Spacevertising: The Super Bowl And The 15 Best Outer-Space Ads You Need To See Right Now Orbital Today (Features). 2024 Feb. https://orbitaltoday.com/2024/02/14/spacevertising-super-bowl-and-15-best-outer-space-commercials-you-need-to-see-right-now/ 7. Horneck, G. (2008). Astrobiological Aspects of Mars and Human Presence: Pros and Cons. Hippokratia Quarterly Medical Journal, 1, 49-52. https://pmc.ncbi.nlm.nih.gov/articles/PMC2577400/ Previous article Next article Enigma back to

< Back to Issue 7 Pointing the Way: A Triangular View of the World by Ingrid Sefton 22 October 2024 edited by Hendrick Lin illustrated by Aisyah Mohammad Sulhanuddin You, my friend, are living in a world created by triangles. Since the dawn of time, this humble three-sided polygon has quietly shaped the evolution of human civilisation. As you gaze around, you can likely spot a triangle or two tucked within your surroundings. This may be of no surprise to you. Externally, the triangle governs the material construction of our world, underpinning the foundations of countless engineering and architectural designs. Yet these more obvious physical constructions are just one contribution of this pointy, three-sided shape to modern society. Indeed, it is where the role of the triangle remains invisible that it harnesses the most power. Triangles have played an integral role in sailing and modern navigation systems, having enabled us to explore all corners of the Earth. Beyond this, let us not forget the massive contributions this shape has made to the development of 3D modelling, used everywhere from graphic design and animation to CGI. All thanks to the simple, unassuming triangle. The physical, the navigational and the digital. Three key sides of the triangle’s influence in shaping the modern world. The Physical The triangle's importance in the physical world stems from its inner strength. Unbeknownst to many, it is the strongest two-dimensional shape that exists, with its power amplified in three-dimensional polyhedrons derived from triangles. How can this unique strength be explained? Consider applying force to one corner, or apex, of a triangle. This force is distributed down either side of the triangle and as these sides are compressed, the base is stretched outwards. Weight can therefore be evenly dispersed across the shape, preventing it from bending and breaking (Saint Louis Science Center, 2020). It is for good reason that the triangular shape underpins many fundamental principles of architecture and design. Perhaps the most iconic of the structures that utilise this shape are the Pyramids of Giza, one of the Seven Wonders of the Ancient World. Constructed in the early 25th Century BCE, they housed the tombs of ancient Egyptian pharaohs and are the last remaining Wonder that exists today. The tallest of the Pyramids, known as the Great Pyramid, originally soared as high as 147 metres above the ground, though today erosion has reduced it to 138 metres (Encylopedia Britannica, 2024a). This architectural feat was monumental for its time, and to this day, how exactly the Pyramids were constructed remains a hotly contested debate amongst archeologists and engineers. One proposition is that large ramps were used in conjunction with a complex system of ropes, sledges and levers to haul stone blocks up (Handwerk, 2023). Whatever the method of construction may have been, these ancient wonders have stood the test of time for over 4500 years - a remnant of one of humanity's first advanced civilisations that exemplifies the scale, strength and resilience of construction made possible by triangles. Triangles also play a crucial role in the construction of seemingly dissimilar shapes. This is highlighted in the case of geodesic structures - spheres constructed from a network of triangles approximating a rounded shape, like a soccer ball. First developed in the 20th Century by architect Richard Buckminster Fuller, these domes are lightweight and able to distribute stress across large, arching structures (Encylopedia Britannica, 2024b). Since Fuller’s earliest constructions, these domes have been widely utilised in the construction of stadiums, planetariums and even "glamping" accommodations. One notable example is the Eden Project - the world's largest biodome botanical garden in the United Kingdom, housing thousands of plant species over 5.5 acres of land (Eden Project, 2024). The interconnectedness of the triangles allows for maximum sunlight exposure across wide spaces, creating an ideal environment for plant photosynthesis and cultivation. Intriguingly, Fuller's use of triangles in this innovative manner led to a breakthrough in the far-away field of synthetic chemistry. Scientists Robert Curl, Harold Kroto and Richard Smalley discovered the nanomaterial Buckminsterfullerene, or “the Buckyball”, after the scientists realised the structure's similarity to Fuller's geodesic spheres (The Stanford Libraries, 2024). This led to the discovery of a new class of materials known as fullerenes. The scientists were subsequently awarded the 1996 Nobel Prize in Chemistry for elucidating this molecule’s structure (The Stanford Libraries, 2024). Balancing power with versatility, triangles form the crux of our built environments at both an atomic and architectural level. The Navigational Remember those sine and cosine formulas your maths teacher insisted had important real world applications? Turns out they weren’t kidding. Triangulation is the process of finding an unknown location of an object by forming a triangle between this object and two other reference points. Sine, cosine and tangent, the main trigonometric ratios, are used to relate the sides and angles formed within a right triangle and hence, determine the position of an unknown point. For centuries, humans have turned to triangles as a means to find their ways. Sailors, in particular, have long used landmarks and celestial objects like the stars to orient themselves at sea. By observing the angle between known locations (or stars) and using basic trigonometry, navigators could calculate distances and determine their precise location. Moving to a more global scale of navigation becomes a bit more complicated, as the Earth is a sphere and not a flat surface (although some may beg to differ…). A more advanced form of triangulation known as trilateration underpins the Global Positioning System (GPS) in order to determine three-dimensional coordinates of a receiver. Instead of angles, GPS utilises the time taken for radio signals sent from satellites to reach a receiving device on Earth. A connected system of navigation satellites circles the Earth, each sending out signals with the location and time it was sent by that satellite. By measuring the delay between the time of signal reception and the broadcast time, the distance from the receiver to each satellite can be computed (Federal Aviation Administration, 2024). Once distances to at least three satellites are known, the receiving device can determine its own three-dimensional position, employing similar techniques to triangulation. GPS data is not only used to guide your Google Map directions. Analysing the positions of satellite stations and their movements is a crucial tool for monitoring volcanic and seismic activity (Murray & Svarc, 2017). Recent breakthroughs have even suggested that there may be a future for utilising the GPS to detect earthquakes before they happen (Rao, 2023). From the seas to the skies, triangles allow us to push the boundaries of exploration while always guiding us home to safety. The Digital What does connect-the-dots have to do with triangles or 3D modelling? A connect-the-dots drawing begins with nothing but some labelled dots. Yet as each dot is joined by a straight line, a complex and curved picture emerges. The more dots you use, the smoother the picture looks. Consider now trying to design a three-dimensional surface. Just as you might use dots to approximate a curve, triangles serve as building blocks for constructing complex surfaces. By taking enough triangles and joining them at their edges, we too can approximate intricate and multidimensional structures. In 3D modelling, objects are represented as meshes - models consisting of vertices (points in 3D space) connected by edges to form polygons and thus, the surface of an object (Stanton, 2023). To define a flat surface oriented in a plane, a minimum of three distinct points are needed. Triangles are the simplest shape for constructing these planes as they are coplanar, meaning any three points in space will always form a flat surface (Licata & Licata, 2015). This makes them perfect for modelling complex 3D shapes out of interconnected triangles. Animation, gaming, graphic design and computer generated imagery (CGI) in movies are just some of the many varied applications that utilise these mesh modelling techniques to create intricate 3D models, with curved and highly detailed surfaces. Additionally, there exist efficient computer algorithms that are optimised to dissect objects into hundreds of thousands of flat triangles. A complex, digital representation of any object can therefore be easily portrayed as a simple collection of points and triangles. Combined with their simple geometric properties, triangles can then be processed quickly by modern Graphics Processing Units (GPUs), optimising their performance in real-time applications. Add in lighting, shading and smooth deformation, and you will find yourself with an intricate, three-dimensional model. Pointing the Way Forward For too long, the triangle has been overshadowed by its more popular cousin, the square. Yet, what is a square? Two triangles put together. The simplicity of this three-sided shape allows it to integrate within our society, with its contributions often invisible to the naked eye. From the physical, to the navigational and the digital, modern human society is built on the triangle. Maybe that trigonometry class wasn’t so pointless after all. References Eden Project (2024). Eden Project's Mission . https://www.edenproject.com/mission/origins Encylopedia Britannica (2024a). Great Pyramid of Giza . https://www.britannica.com/place/Great-Pyramid-of-Giza Encylopedia Britannica (2024b). Geodesic Dome. https://www.britannica.com/technology/geodesic-dome Federal Aviation Administration (2024). Satellite Navigation - GPS - How It Works . United States Department of Transportation. https://www.faa.gov/about/office_org/headquarters_offices/ato/service_units/techops/navservices/gnss/gps/howitworks Handwerk, B. (2023). The Pyramids at Giza were built to endure an eternity—but how? National Geographic. https://www.nationalgeographic.com/history/article/giza-pyramids Licata, J., & Licata, A. (2015). From triangles to computer graphics . ABC Science. https://www.abc.net.au/science/articles/2015/06/10/4251713.htm Murray, J. R., & Svarc, J. (2017). Global Positioning System Data Collection, Processing, and Analysis Conducted by the U.S. Geological Survey Earthquake Hazards Program. Seismological Research Letters , 88 (3), 916-925. https://doi.org/10.1785/0220160204 Rao, R. (2023). GPS satellites may be able to detect earthquakes before they happen . Space. https://www.space.com/earthquake-prediction-gps-satellite-data Saint Louis Science Center (2020). The Secret Strength of Triangles . https://www.slsc.org/the-secret-strength-of-triangles/ Stanton, A. (2023). Exploring the World of 3D Modeling: Solid vs. Mesh Modeling . Cadmore. https://cadmore.com/blog/solid-vs-mesh-modeling-differences The Stanford Libraries (2024). What is a geodesic dome? Stanford University. https://exhibits.stanford.edu/bucky/feature/what-is-a-geodesic-dome Previous article Next article apex back to

< Back to Issue 5 Serial Killers Selin Duran 24 October 2023 Edited by Yasmin Potts Illustrated by Aditya Dey Serial killers. Do we love them or hate them? It’s hard to know, especially as the media surrounding them is increasing. From fiction to nonfiction killers, our society is obsessed with giving a voice and perspective to these people. We have movies, documentaries, TV series and even Youtube videos accounting the lives and stories of killers. Despite this, people rarely stop to ask themselves why they enjoy this style of media - some of the most wicked and gruesome acts, glorified for the interest of many. Yet, every day we are met with new shows highlighting the life of coldblooded killers. But why are we interested in them? It’s mostly a morbid curiosity; as humans, we are drawn to crime. We want to know why people choose to kill and how they do it. Jack Haskins, a University of Tennessee journalism professor, noted that "humans [are] drawn to public spectacles involving bloody death...Morbid curiosity, if not inborn, is at least learned at a very early age " (UPI Archives, 1984). As a collective, we have always wanted to explore the horrid acts of those who kill. But it’s only with the help of modern media that people enjoy them. Media loves a good story - and what makes a good story? A crazy serial killer on the loose. One of the earliest movies about a serial killer is Fritz Lang's 1931 film M . Set in Berlin, the film details a killer who targets children. Since then, a downward spiral of fictional serial killer movies has taken society by storm. Being all the craze during the mid-80s and 90s, the highest amount of serial killer media were produced in this timeframe. One of the most popular works is director Alfred Hitchcock's iconic Psycho, which won eight Academy Awards (IMDb, 2021). What is truly disturbing is the story of this film. Norman Bates, our killer, is deemed mentally insane and suffers from Dissociative Identity Disorder. Through his personality changes, he proceeds to kill two people during the film, in addition to multiple murders not depicted. Yet, when he is jailed, we learn that his actions were the result of abuse he endured when he was younger. Suddenly, we're forced to feel sympathetic towards his situation. How can that be a reasonable justification towards murder, and why do we applaud the film for this? As a society, accepting murder based on mental insanity seems more than unreasonable - but no one has questioned it thus far. This unfortunately happens not only with fictional killers, but with nonfiction ones. Our interest in killers turns into a way to inform ourselves of these situations (Harrison, 2023). We look to these documentaries and podcasts that tell the stories of the most notorious serial killers to learn something and prevent the situation from happening to us. All whilst indulging in content that emphasises these killers as being regular people, not evil individuals, who committed crimes for personal pleasure. We don’t need to see a biopic about the ventures of Ted Bundy and Jeffery Dahmer. Yet the second you search their names on Google, an all-star cast portraying the life of a man who tortured their victims fills your screen. This is certainly not an ethical thing to endorse. Despite this, not a single person thinks twice about it due to how common it is. Directors are profiting off victims and as a society, we are allowing it because of our curiosity. What happened to compassion? Because I certainly believe we have lost it. We have become so infatuated with killers that their actions seem unimportant to us. We yearn to discover more about their lives and forget that real people were implicated in these events. These killer stories provide bursts of short-lived adrenaline and then we return to our normal lives. In forgetting the consequences of these real stories, we are in many ways as bad as the killers themselves. And that is truly wicked. References Harrison, M. A. (2023). Why Are We Interested in Serial Killers? Just as Deadly: The Psychology of Female Serial Killers . Cambridge: Cambridge University Press, 17–31. https://www.cambridge.org/core/books/just-as-deadly/why-are-we-interested-in-serial-killers/B35C2243B387273749EA164318C27623?utm_campaign=shareaholic&utm_medium=copy_link&utm_source=bookmark IMDb. (2021). Psycho (1960) - Awards . https://www.imdb.com/title/tt0054215/awards/ UPI Archives. (1984). Few answers on origin of morbid curiosity. UPI. https://www.upi.com/Archives/1984/04/07/Few-answers-on-origin-of-morbid-curiosity/7976450162000/#:~:text=%27Throughout%20human%20history%2C%20humans%20have Wicked back to

< Back to Issue 9 Axolotl: The Little God of the Lake by Danny He 28 October 2025 Illustrated by Saraf Ishman Edited by Ciara Dahl Creation “When the fifth sun was created, it did not move. The god of the wind carved a destructive path through the realm, slaying all other gods to induce the Sun into movement. Xolotl, guide for the dead, escaped his sacrifice by transforming into an invulnerable salamander. Eventually, even he was captured. Upon his sacrifice, the Sun began its course. Thus began the time of man.” - Author’s creative interpretation of Aztec mythology. The otherworldly biology of the axolotl ( Ambystoma mexicanum) attracted fascination among the Aztecs, who named it after the god of fire and lightning (1). They believed the shapeshifting god Xolotl took many forms, from a chimera depicted as a dog-headed man, to a skeleton, to a deformed monster with reversed feet (1). He was a renowned shapeshifter who would guide the dead on their journey to the afterlife (1). Centuries on, the axolotl would transform from a feared deity to a beloved icon and subject of scientific marvel. Fascination “Auguste Dumeril lounged by the lake. The humidity of Lake Xochimilco was beginning to take its toll. He had recently been informed of a marvellous reptile, one that resided exclusively in the canals of ancient Aztec, capable of regrowing limbs and organs including its brain. He wondered of the scientific possibilities of studying such a creature. A self-regenerating invertebrate could fascinate the scientific community and make wonderful contributions to medicine. This creature is to be taken back home to Paris” - Imaging a day with French Zoologist August Dumeril. The axolotl exhibits many biological peculiarities. Cousin of the tiger salamander ( Ambystoma tigrinum) , it has evolved over millions of years to take advantage of the bountiful resources of the Mexican basins (2). It remains in its juvenile, tadpole-like form throughout its adulthood, retaining its gills and breathing through its skin (2). The animal’s near perfect regeneration and its potential application for medical research fascinated scientists. French zoologist Auguste Dumeril was the first to conduct research on the axolotl after discovering it during his expedition to Mexico (3). Decades later, proteins were discovered which enabled the miraculous processes of complete, scar-free regeneration of an injured axolotl (4). Scientists continue to research methods in which the axolotl’s regeneration can facilitate trauma care and cancer research (4, 5). Conservation “Pedro set his spade down, straw hat clutched close to his chest. His eyes fixated on the water before him. Just below the surface, he had thought something had moved along the river bank. It had been many years since he had last seen an axolotl. The Méndez Rosas had been working as Chinamperos for generations. The axolotl had been a welcome sight for his forefathers, now it is a sign of hope for Lake Xochilmilco.” - an interview with Pedro, a 7th generation Chinamperos (7). Chinampas are large man-made farming islands created by the Aztecs (6). The capital city was built upon an island on a vast lake using a series of complex canals to prevent their city from flooding (6). Chinamperos use the lake's nutrient-rich soil to grow crops and create a self-sustaining system resilient to pests and disease (6). Productive chinampas ensure greater food security for Mexico City. A perfect symbiosis between water and land, a healthy chinampa cannot be without a healthy body of water (6). As chinampas grow they become refuge for wildlife such as the axolotl (6). As axolotls breathe through their skin, their presence indicates excellent water quality and hence a healthy chinampa (6). However, this once thriving ecosystem is now under threat from urbanisation. Drainage of the lake has resulted in the range of chinampas being limited to Lake Xochilmilco (6). Pollution and climate change has altered the landscape, while expansion of the city has resulted in the loss of precious wetlands (6). These changes have driven axolotls to critical endangerment. A once venerated and sacred creature has been neglected and buried by the relentless incursion of human civilisation (6). It is now a race against time to save the wild axolotls as few remain in Lake Xochilmilco (2). As urbanisation continues to bear down upon the chinampas, calls have been made to protect these dwindling areas of refuge (2). The fate of the axolotl is yet to be determined, but it is certain that the loss of another species will continue to set a dangerous precedent for the conservation of our ecosystems. Aztec mythology describes the god represented by the axolotl as the caretaker of his underworld kingdom and a guide for lost souls (1). Perhaps it is now important for us to take care of the axolotl as Xolotl has taken care of us. References Spence L. Mexico and Peru [Internet]. Senate; 1994. Accessed September 29, 2025. https://archive.org/details/mexicoperu00spen The Editors of Encyclopaedia Britannica. Axolotl. Britannica . July 20, 1998. Updated 27 August, 2025. Accessed September 29, 2025. https://www.britannica.com/animal/axolotl Reiß C. Cut and Paste: The Mexican Axolotl, Experimental Practices and the Long History of Regeneration Research in Amphibians, 1864-Present. Front Cell Dev Biol . 2022;10:786533. doi:10.3389/fcell.2022.786533 Huang L, Ho C, Ye X, Gao Y, Guo W, Chen J, et al. Mechanisms and translational applications of regeneration in limbs: From renewable animals to humans. Ann Anat . 2024;255:152288. doi:10.1016/j.aanat.2024.152288 Suleiman S, Schembri-Wismayer P, Calleja-Agius J. The axolotl model for cancer research: a mini-review. J BUON . 2019;24(6):2227–31. Accessed September 29, 2025. https://www.researchgate.net/publication/338630505_The_axolotl_model_for_cancer_research_a_mini-review The Editors of Encyclopaedia Britannica. Chinampa. Encyclopaedia Britannica . July 20, 1998. Updated 26 May, 2017. Accessed September 29, 2025. https://www.britannica.com/topic/chinampa Nature on PBS. Wild axolotls are being saved by... nuns and Aztec gardens? | WILD HOPE. Youtube. September 12, 2023. Accessed September 29, 2025. https://www.youtube.com/watch?v=NL0ad3jBWRI&t=808s Previous article Next article Entwined back to

< Back to Issue 8 A Psychological ‘Autopsy’ of Ludwig van Beethoven: Dissecting Genius and Madness by Kara Miwa-Dale 3 June 2025 Edited by Steph Liang Illustrated by Ashlee Yeo ‘No great mind has ever existed without a touch of madness.’ – Aristotle Preface This is not an autopsy in the traditional sense. No scalpels or specimen jars will be involved. Instead, it is an autopsy of the mind – a retrospective exploration of the inner world of the great classical composer, Ludwig van Beethoven. Beethoven was considered a genius for revolutionising Western classical music with his emotionally powerful, structurally innovative, and highly complex compositions. He broke from convention, pioneered new musical forms, and continued to create masterpieces even after becoming completely deaf. Drawing upon insights from genetics, neuroscience, psychiatry, and anthropology, alongside the testimonies of Beethoven’s peers, we will piece together an understanding of how genius, creativity and mental affliction may be intertwined. Was Beethoven’s genius a product of madness, a triumph over it, or something different altogether? The Subject Name: Ludwig van Beethoven Occupation: Composer Age at Death: 56 Reason for Autopsy : To investigate the elusive connection between creativity, mental disorder, and the mysterious concept of genius I. The Witnesses: Testimonies from the Living To those that knew him, Beethoven was a paradox. One friend called him “half crazy”, noting violent outbursts, erratic moods and obsessive tendencies (1). Others saw him as “merry, mischievous, full of witticisms and jokes” (2). His talent and creative genius, however, were never in doubt. The poet Goethe, who met him in 1812, wrote: “Beethoven’s talent amazed me. However, he is an utterly untamed personality” (3). Based on Beethoven’s letters and accounts from friends, modern psychiatrists suspect that he may have lived with bipolar disorder (4). Yet, there is no way to be sure. Like the mind itself, Beethoven resists full understanding – a genius shaped by forces we may never fully comprehend. II. The Geneticist How can DNA offer insight into Beethoven’s genius? Often described as the blueprint of life, DNA offers fascinating insights into human potential – highlighting our predispositions, vulnerabilities, and even talents. However, it only tells part of the story. In 2023, an international team of scientists sequenced the DNA of five authenticated locks of Beethoven’s hair (5). Not long after, another group of researchers used this data to calculate a polygenic score estimating his genetic predisposition for beat synchronisation, a trait believed to be linked to musicality (6). Polygenic scores add up the small effects of many different genes to estimate someone’s likelihood of expressing a complex trait – like musical ability. Because these traits are influenced by many different genes working together, polygenic scores can be a helpful tool in exploring their biological basis. Curiously, Beethoven’s polygenic score for beat synchronisation was surprisingly low, implying that he wasn’t predisposed to have a strong sense of rhythm. Does this mean that Beethoven defied his own biology? Not necessarily. Polygenic scores have significant limitations. They don’t account for environmental influences – like the years of rigorous musical training that Beethoven underwent – or complex gene-gene and gene-environment interactions. Additionally, these scores are based on modern genetic datasets, so applying them to someone from the 18th century can reduce the reliability of the interpretation. That said, the story becomes even more fascinating when we consider research linking polygenic risk scores for psychiatric conditions – such as bipolar disorder and schizophrenia – to creativity. One large study found that people with a higher genetic risk for these conditions were overrepresented in artistic and creative jobs, although the association was small (7). This doesn’t mean that mental illness causes creativity, or that all creative people have a mental disorder, but it hints at a complex biological overlap. III. The Psychiatrist How does one make a psychiatric diagnosis from the grave? It is an impossible task, and an imprecise science, but we can draw inferences from historical accounts of a person’s behaviour. Beethoven seemed to exhibit behaviours consistent with bipolar disorder, a mental health condition characterised by extreme mood swings that include emotional highs (mania or hypomania) and lows (depression). Letters written by Beethoven himself, along with observations from friends, may provide some insight. He was notably “prone to outbursts of anger, baseless suspicions, quarrels and reconciliations, fruitless infatuations, physical ills, changes of residences…and the hiring and firing of servants" (1). One friend remarked that ‘he composes, or was unable to compose, according to the moods of happiness, vexation or sorrow’, suggesting that his creative output fluctuated with his shifting emotional state (1). Individuals with bipolar disorder experience manic or hypomanic episodes marked by elevated mood, increased energy, rapid thought processes, reduced inhibition, and heightened confidence (8). These episodes may enhance creative thinking by promoting divergent thinking – the ability to generate novel ideas or unusual associations (9). Research shows that the medial prefrontal cortex, a brain region active during divergent thinking, is typically engaged during manic states (10). While it would be inappropriate to assign a clinical diagnosis based solely on anecdotal evidence, it is possible to speculate that Beethoven’s prolific composing periods might have corresponded to manic or hypomanic episodes. But how can we distinguish a clinical mood disorder from mere bursts of creative inspiration or genius? The U-shaped curve hypothesis offers one explanation, proposing that the relationship between ‘madness’ and genius is not linear (11). Mild to moderate expressions of bipolar disorder may actually enhance creativity by promoting divergent thinking, whereas severe illness can be debilitating and reduce creative output. This raises the possibility that Beethoven experienced a less severe form of bipolar disorder – one that fueled rather than hindered his musical brilliance. Building on this, psychological research also suggests that people in creative occupations tend to score higher on measures of ‘openness to experience’ (12). This personality trait describes the extent to which a person is curious, imaginative, and receptive to new ideas or unconventional beliefs. Studies have suggested that openness to experience is elevated among individuals with bipolar disorder compared to controls with no mood disorder (13,14). It is possible that Beethoven’s creative genius was influenced, at least in part, by the interplay between his personality and traits associated with bipolar. However, it is important to acknowledge the very real challenges of living with mental illness and to avoid romanticising the condition as a source of artistic inspiration. IV. The Anthropologist Cultural narratives - like the ‘mad genius’ and ‘tortured artist’ tropes - have long romanticised and distorted the relationship between mental illness and creative brilliance. However, contemporary understandings of mental health increasingly challenge the idea that extraordinary creativity requires psychological suffering. Beethoven’s life was marked by adversity. His father, believed by some to be abusive, enforced a strict practice regime for his music lessons and struggled with alcoholism – an affliction that would later cast a shadow over Beethoven’s own life. During Beethoven’s mid-twenties, he began to lose his hearing, becoming completely deaf by around 44. Yet, he continued to compose innovative symphonies, relying only on the music in his mind. Did Beethoven’s suffering fuel his brilliance? While some studies suggest a link between bipolar disorder and heightened creativity, it would be a mistake to suggest that mental illness is a prerequisite for genius. Many highly creative individuals have no history of mental illness at all. So why, then, does the ‘mad genius’ stereotype continue to endure? During Beethoven’s era – the Romantic period – suffering was often glorified as a source of artistic inspiration. Mental illness was poorly understood, and the emotional extremes exhibited by artists with mood disorders were frequently mistaken for signs of genius. Emotional intensity and instability were often seen as sources of inspiration for genius works of art. It wasn’t until the 20th century that bipolar was formally recognised as a mental illness. It is hard to say, based solely only on historical records, whether Beethoven experienced a mental health condition, or was simply an emotionally intense and unconventional individual. What we define as ‘normal’ or ‘abnormal’ behaviour is complex and deeply influenced by the social and cultural norms of the time. V. The Final Verdict So, what can we conclude from this evidence? Was Beethoven a genius because of his madness? Or in spite of it? Perhaps these are the wrong questions. Such binaries oversimply a reality that is far more nuanced. They invite us to reconsider our definitions of ‘normality’, ‘illness’ and ‘genius’. It is important to acknowledge the very real and devastating challenges associated with mental illness. Yet, it’s also true that some traits associated with conditions like bipolar disorder – such as divergent thinking – may intersect with creativity in complex ways. Rather than viewing these conditions purely as deficits, we might ask: could some features of mental disorder be better understood as extreme expressions of the broader, messier spectrum of human cognition and emotion? In the end, Beethoven remains an enigma – not because he was ‘mad’, but because he was unknowable and defied neat categorisation. Perhaps that is what genius truly is: not a clinical condition, or a byproduct of suffering, but a mystery that transcends explanation. References 1. Hershman DJ. Manic depression and creativity. Prometheus Books; 2010 Oct 5. 2. Bezane C. Bipolar Geniuses: Ludwig Van Beethoven [Internet]. Chicago: Conor Bezane; 2016 Mar 15. https://www.conorbezane.com/thebipolaraddict/thebipolaraddictbipolar-geniusesbeethoven/ 3. Carnegie Hall. Friends of Beethoven [Internet]. New York: Carnegie Hall; 2020 Mar 19 [cited 2025 May 31]. https://www.carnegiehall.org/Explore/Articles/2020/03/19/Friends-of-Beethoven 4. Erfurth A. Ludwig van Beethoven—a psychiatric perspective. Wiener Medizinische Wochenschrift. 2021;171(15):381-90. https://doi.org/10.1007/s10354-021-00864-4 5. Begg TJA, Schmidt A, Kocher A, Larmuseau MHD, Runfeldt G, Maier PA, et al. Genomic analyses of hair from Ludwig van Beethoven. Current Biology. 2023;33(8):1431-47.e22. https://doi.org/10.1016/j.cub.2023.02.041 6. Wesseldijk LW, Henechowicz TL, Baker DJ, Bignardi G, Karlsson R, Gordon RL, et al. Notes from Beethoven’s genome. Current Biology. 2024;34(6):R233-R4. https://doi.org/10.1016/j.cub.2024.01.025 7. Power RA, Steinberg S, Bjornsdottir G, Rietveld CA, Abdellaoui A, Nivard MM, et al. Polygenic risk scores for schizophrenia and bipolar disorder predict creativity. Nature Neuroscience. 2015;18(7):953-5. https://doi.org/10.1038/nn.4040 8. American Psychiatric Association. Diagnostic and statistical manual of mental disorders: DSM-5-TR . 5th ed, text revision. Washington, DC: American Psychiatric Association; 2022. 9. Forthmann B, Kaczykowski K, Benedek M, Holling H. The Manic Idea Creator? A Review and Meta-Analysis of the Relationship between Bipolar Disorder and Creative Cognitive Potential. International Journal of Environmental Research and Public Health. 2023;20(13):6264. https://www.mdpi.com/1660-4601/20/13/6264 10. Mayseless N, Eran A, Shamay-Tsoory SG. Generating original ideas: The neural underpinning of originality. NeuroImage. 2015;116:232-9. https://doi.org/10.1016/j.neuroimage.2015.05.030 11. Richards R, Kinney DK, Lunde I, Benet M, Merzel AP. Creativity in manic-depressives, cyclothymes, their normal relatives, and control subjects. Journal of abnormal psychology. 1988;97(3):281. 12.Feist GJ. A meta-analysis of personality in scientific and artistic creativity. Personality and social psychology review. 1998;2(4):290-309. 13. Matsumoto Y, Suzuki A, Shirata T, Takahashi N, Noto K, Goto K, et al. Implication of the DGKH genotype in openness to experience, a premorbid personality trait of bipolar disorder. Journal of Affective Disorders. 2018;238:539-41. https://doi.org/10.1016/j.jad.2018.06.031 14. Middeldorp CM, de Moor MHM, McGrath LM, Gordon SD, Blackwood DH, Costa PT, et al. The genetic association between personality and major depression or bipolar disorder. A polygenic score analysis using genome-wide association data. Translational Psychiatry. 2011;1(10):e50-e. https://doi.org/10.1038/tp.2011.45 Previous article Next article Enigma back to

Get in touch with the team at OmniSci Magazine! Leave a message for us, send an email, or contact us on our socials! Get in touch Want to get in touch? We'd love to hear from you! Our email is omniscimag@gmail.com . Or, just fill out the form below! Contact Us Thanks for submitting! Submit Subscribe to Our Issues Submit Thanks for submitting!

< Back to Issue 8 Life Story of a Drug by Elijah McEvoy 3 June 2025 Edited by Weilena Liu Illustrated by Aisyah Mohammad Sulhanuddin From the mythical visions of church goers who took mushrooms in the infamous ‘Good Friday Experiment’ to the extreme self-reflection of those ‘tripping’ off the traditional South American hallucinogenic tea Ayahuasca (1,2), humans have been painting the extraordinary narratives of psychedelics for thousands of years in thousands of settings. Put simply, psychedelics are a class of psychoactive drugs that can alter your thoughts and senses, inducing wild experiences not thought possible in your brain’s ground state (3). One of the most famous of these drugs is LSD. ‘Lucy in the Sky with Diamonds’ is said to have inspired entire Beatles albums and shown Steve Jobs “that there’s another side to the coin” of life (4,5). LSD is also a psychedelic that stands as an enigma in many regards. It is both naturally derived and synthetically created. It has been tested in psychological therapy and psychological warfare. Even the ‘trips’ experienced by its users entail both unexplainable hallucinations and scientifically proven phenomena. While being lesser understood, the stories of LSD’s enigmatic origins, uses and effects are just as interesting as those that come from its users. The Origins Lysergic Acid Diethylamide (LSD) or ‘acid’ for short is a semi-synthetic chemical compound with humble biological beginnings. LSD is derived from a class of alkaloid metabolite molecules that are naturally produced by the fungus commonly known as ergot. Ergot fungi are members of the parasitic genus Claviceps , which have been infecting staple crops and shaping society long before acid came to distort shapes in the eyes of its users (6). Epidemics of ergotism, a disease caused by these ergot alkaloids after ingesting contaminated crops, swept across Middle Age Europe and led to the deaths of tens of thousands of people (7). Despite credible arguments to the contrary, some historians have even suggested that the Salem Witch Trials may have been sparked by a form of this disease known as convulsive ergotism. Not only were the environmental conditions in 1691 Salem reported to be optimal for ergot growth in the town’s rye, but convulsive ergotism also induces distinct muscle contractions, paranoia and audiovisual hallucinations (8). These symptoms all would have given credit to the claims of bewitchment made by the young girls that instigated the accusations of witchcraft in the town. Aside from death and dark magic, this fungus has also been used as an effective therapeutic across several eras of history. It’s use as a medication for childbirth was recorded as early as 1100 BCE in China, with midwives using ergot or it’s alkaloids to reduce bleeding during birth, expedite delivery or induce an abortion (6,7). It wasn’t until modern pharmacology advanced in the 20th century that scientists began to chemically characterise these ergot alkaloids and use them as the basis to create potent drugs. The story of how LSD was first created and consumed is one that has been immortalised in history books and unofficial holidays. Dr Albert Hoffman, a Swiss biochemist working for the pharmaceutical company Sandoz, first synthesised LSD in 1938 as the 25th substance in a series of lysergic acid derivatives being evaluated by the company (9). Initial testing of this compound indicated it had no unique pharmacological uses beyond those of pre-existing ergot alkaloid derived drugs (9). However, Hoffman couldn’t shake the nagging feeling that LSD-25 had more to offer. After making another batch of the compound 5 years later, Hoffman’s suspicions grew stronger when he was forced to leave the lab early after entering a “dream-like state… [with] a kaleidoscope-like play of colours” (9). A few days later, in a moment that demonstrated both admirable scientific curiosity and blatant rejection of OH&S, Hoffman took a large dose of LSD himself and set in for a trip of a lifetime (9). Like all good scientists, he recorded his experience in a journal, writing at 3pm on 19 April 1943: “visual distortions, symptoms of paralysis, desire to laugh” (9). Hoffman’s notes for the day stopped there. The Uses April 19th has come to be celebrated as ‘Bicycle Day’, commemorating the seemingly endless and surreal bike ride home Hoffman undertook after this self-experimentation. However, a wacky trip was not the only thing that followed this discovery. After Hoffman distributed the drug to his superiors to try for themselves, LSD was sold on the market by Sandoz under the name Delysid. This drug was employed by psychiatrists throughout the 1950s as a treatment for alcoholism or simply ‘psychotherapy-in-a-pill’ for patients suffering psychological trauma (10,11). LSD not only garnered therapeutic interest from scientists but also more nefarious intrigue from the CIA. Seeking to get an upper hand in the department of mental warfare during the Cold War, the CIA bought up 40,000 doses of LSD from Sandoz and performed a variety of unethical experiments on unknowing prisoners, heroin addicts and even other CIA agents in an attempt to understand the drug’s potential for ‘mind control’ under the MKUltra project (12). Moving into the 60s, LSD’s use amongst budding leaders of the Hippie and Yippie movements gave the drug its countercultural status. Harvard Professor Timothy Leary, who was dismissed from his position due to experimenting (literally) with LSD, promoted the drug as an agent of revolution that allowed the youth of America to “turn on, tune in, drop out” (10) of repressive society. Due to its increasing association with these disruptive movements and eventual outlawing by the US government in 1966 (11), acid’s place in culture shifted out of labs and psychologist offices and into illicit recreational usage by experimental hippies and enlightened artists. The Trip Whether accompanied by an experienced monitor or listening to some soothing vinyl records yourself, the experience of taking LSD is predictably unpredictable. ‘Dropping acid’ is unique in that only micrograms of the drug are enough to elicit a palpable psychedelic experience (13), with most users diluting the dosage on tabs of blotting paper or sugar cubes (11). Following consumption, it takes as little as 1.5 hours for LSD to cross the blood-brain barrier, dilate the pupils and bring users to the peak intensity of the drug’s psychological effects (13). The bizarre experiences perceived by those ‘tripping’ on LSD is rooted in a now well-characterised receptor binding interaction in the brain. The nitrogen-based chemical groups of the LSD molecule first anchor themselves within the 5-HT2A serotonin receptors found in the synapses of neurons (14). While the serotonin neurotransmitter typically helps regulate brain activities like mood and memory, LSD binding instead causes the activation of distinct intracellular cascades within these brain cells (3). The importance of this interaction was demonstrated in experiments that proved blocking this receptor can cancel the acid trip all together (3). Recent studies that have further characterised the chemical structure of this interaction have also shown that 5-HT2A forms a lid-like structure that locks LSD into this receptor protein’s binding site and sets the user in for a long trip (14). From these individual cellular interactions, LSD ignites a burst of brain activity. Modern brain scanning technology has revealed that LSD first disrupts the capacity of the thalamus to filter and pass on sensory stimuli from the body to the cortex of the brain. Upon injection of LSD, patient’s brains demonstrated both an overflow of information running between the thalamus and posterior cingulate cortex and restriction of signals going to the temporal cortex (15). Not only does LSD modify the brain’s ability to sort out important stimuli from the outside world, but this small molecule has also been found to temporarily form new connections between different parts of the brain. Hoffman’s recount of how “every sound generated a vividly changing image” (9) on the first Bicycle Day can be explained by the increased connectivity of the brain’s visual cortex on LSD. This causes areas of the brain responsible for other senses or emotions to become involved in creating the images perceived in the user’s head, causing visual hallucinations and geometric distortion that have no basis in real stimuli coming from the eyes (16). In contrast, Hoffman’s feeling of being “outside [his] body” (9) likely came from decreased connectivity between the parahippocampus and retrosplenial cortex, two regions of the brain responsible for cognition. This severance has been correlated with the greater meaning that those tripping on LSD find in objects, events or music along with their characteristic ‘ego dissolution’ (16). This is a phenomenon where users no longer see the world through the lens of their own ‘self’ and instead feel an increased sense of unity with everything around them (17). Very Hippie ideas with a very scientific explanation. The Comedown and Beyond The float back down from the peak of an LSD trip takes up to 10 hours and leaves its users with a variety of stories and outcomes. Contrary to the fearmongering of parents and politicians, LSD does not leave holes in the brain, does not lead to addiction and has not directly led to the death of anyone as a result of overdosage (3). While the risk of a ‘bad trip’ and the feelings of severe anxiety, fear and despair that come with it may be traumatic, these are typically experienced when taking LSD in unsupportive environments without proper mental preparation (13). In fact, when LSD is taken in a manner closer to the controlled ritual practices surrounding psychedelics of old (3), acid is suggested to have long-lasting positive impacts on the user’s attitude and personality (13). It is these experiences that have rejuvenated the field of LSD research from its abrupt stop in the 60s. Modern investigations have picked up where these scientists left off and are evaluating the potential of utilising LSD-assisted therapy to alleviate anxiety and depression. Studies have focused particular attention on addressing these mental health conditions in those suffering from life-threatening illnesses like cancer (18). While some of these experiments lack the controls or data to make strong generalised conclusions, several studies have demonstrated that patients supplied with LSD reported lasting decreases in anxiety surrounding their condition, greater responsiveness to their families and improved quality of life (3,18). All of this is not to promote LSD as a harmless wonder drug. While rare, LSD has been linked to Hallucinogen Persisting Perception Disorder, a condition in which people experience distressing ‘flashbacks’ to the effects and experiences of past psychedelic trips in a normal setting. Additionally, the changes in visual perception, emotion and thought while one is tripping can also cause users to make reckless decisions in dangerous situations (18). However, continuing to wage war against controlled experiments and supervised therapeutic trials with LSD only serves to limit the attempts of scientists in better understanding the balance between this drug’s risks and benefits. While our trip through the life of LSD may end here, there is still much to explore. The greater story of how we use it, how we view it and how it fits into our society is far from over. References Illing S. Vox. 2018 [cited 2024 Oct 23]. The brutal mirror: what the psychedelic drug ayahuasca showed me about my life. Available from: https://www.vox.com/first-person/2018/2/19/16739386/ayahuasca-retreat-psychedelic-hallucination-meditation Majić T, Schmidt TT, Gallinat J. Peak experiences and the afterglow phenomenon: When and how do therapeutic effects of hallucinogens depend on psychedelic experiences? J Psychopharmacol. 2015 Mar 1;29(3):241–53. Nichols DE. Psychedelics. Barker EL, editor. Pharmacol Rev. 2016 Apr 1;68(2):264–355. Gilmore M. Beatles’ Acid Test: How LSD Opened the Door to “Revolver” [Internet]. Rolling Stone. 2016 [cited 2024 Oct 23]. Available from: https://www.rollingstone.com/feature/beatles-acid-test-how-lsd-opened-the-door-to-revolver-251417/ Hsu H. The Lingering Legacy of Psychedelia. The New Yorker [Internet]. 2016 May 17 [cited 2024 Oct 23]; Available from: https://www.newyorker.com/books/page-turner/the-lingering-legacy-of-psychedelia Haarmann T, Rolke Y, Giesbert S, Tudzynski P. Ergot: from witchcraft to biotechnology. Molecular Plant Pathology. 2009 Jul;10(4):563–77. Schiff PLJ. Ergot and Its Alkaloids. American Journal of Pharmaceutical Education. 2006 Oct 15;70(5):98. Woolf A. Witchcraft or Mycotoxin? The Salem Witch Trials. Journal of Toxicology: Clinical Toxicology. 2000 Jan;38(4):457–60. Hofmann A. How LSD Originated. Journal of Psychedelic Drugs. 1979 Jan 1;11(1–2):53–60. Massari P. Harvard Griffin GSAS News. 2021 [cited 2024 Sep 28]. A Long, Strange Trip | The Harvard Kenneth C. Griffin Graduate School of Arts and Sciences. Available from: https://gsas.harvard.edu/news/long-strange-trip Stork CM, Henriksen B. Lysergic Acid Diethylamide. In: Wexler P, editor. Encyclopedia of Toxicology (Third Edition) [Internet]. Oxford: Academic Press; 2014 [cited 2024 Sep 28]. p. 120–2. Available from: https://www.sciencedirect.com/science/article/pii/B9780123864543007442 Stuff You Should Know. Did the CIA test LSD on unsuspecting Americans? - Stuff You Should Know [Internet]. [cited 2024 Aug 25]. (Stuff You Should Know). Available from: https://www.iheart.com/podcast/1119-stuff-you-should-know-26940277/episode/did-the-cia-test-lsd-on-29468397/ Passie T, Halpern JH, Stichtenoth DO, Emrich HM, Hintzen A. The Pharmacology of Lysergic Acid Diethylamide: A Review. CNS Neurosci Ther. 2008 Nov 11;14(4):295–314. Wacker D, Wang S, McCorvy JD, Betz RM, Venkatakrishnan AJ, Levit A, et al. Crystal structure of an LSD-bound human serotonin receptor. Cell. 2017 Jan 26;168(3):377. Sample I. Study shows how LSD interferes with brain’s signalling. The Guardian [Internet]. 2019 Jan 28 [cited 2024 Nov 10]; Available from: https://www.theguardian.com/science/2019/jan/28/study-shows-how-lsd-messes-with-brains-signalling Carhart-Harris RL, Muthukumaraswamy S, Roseman L, Kaelen M, Droog W, Murphy K, et al. Neural correlates of the LSD experience revealed by multimodal neuroimaging. Proceedings of the National Academy of Sciences. 2016 Apr 26;113(17):4853–8. Sample I. LSD’s impact on the brain revealed in groundbreaking images. The Guardian [Internet]. 2016 Apr 11 [cited 2024 Nov 10]; Available from: https://www.theguardian.com/science/2016/apr/11/lsd-impact-brain-revealed-groundbreaking-images Liechti ME. Modern Clinical Research on LSD. Neuropsychopharmacol. 2017 Oct;42(11):2114–27. Previous article Next article Enigma back to

< Back to Issue 4 Fool Me Once by Julia Lockerd 1 July 2023 Edited by Tanya Kovacevic and Elijah McEvoy Illustrated by Sonia Santosa I have rabies. I’m absolutely sure of it. I mean, I can't really tell, but that’s the silent killer, right? You don’t know you’re rabid till it’s all over, and you’re foaming at the mouth and biting your student tutor on the leg. Despite being completely safe here in Australia with its complete lack of rabies-having animals, I’m still pretty sure I’ve managed to catch it. Next week it will all be over for me and my tutor. Sorry, James. Of course, it’s not actually rabies that I’ve contracted, but a much more common condition: Medical Student Syndrome (1). Last week in my lectures, we learned all the ins, outs, and symptoms of the rabies virus. So, naturally, now we all have it. This health-related anxiety is a prime example of how our human brains can trick us into experiencing phantom symptoms. The same cognitive veil is used in clinical trials all over the world in order to test the efficacy of new drugs. We’ve all felt it. That moment when you question, ‘Is this real, or is my mind making its reality?’ We call this the placebo effect. The placebo effect is crucial to modern and historical experimental design. The ‘trickable’ nature of the human mind has changed the course of drug development as we know it. The effects’ success hinges on a patient's belief that they are receiving treatment for their ailment. The simple belief in a cure can often result in real physiological changes in an individual. This makes the placebo effect a very powerful tool in the development of new drugs for the market. In a placebo-controlled trial, half of the sample population will be blindly given a placebo, and the other half of the drug being tested. In order for a potential treatment to be considered effective, it must produce more significant results than the placebo group (2). We must improve our approach to designing and researching hypotheses. Can we use what we know about the placebo effect to make more accurate claims about modern pharmaceutical development? Well, in 2017, Dr. Sara Vanbheim of the Arctic University of Norway published a study that brought into consideration the possible effects of differing sexual characteristics on placebo efficacy (3). This idea could restructure the way experiments are designed going forward and potentially provoke a possible review of drugs already on the market. Is it possible that traditionally marginalised groups are underrepresented in the clinical trial process? Can we restructure experiments to be more inclusive? Are changes even really necessary? These questions were investigated through the compilation and calculation of placebo and nocebo effects on men and women over multiple previously conducted studies mostly centering around physical pain and the administration of analgesia. The term ‘nocebo’ defines the antithesis of a placebo (4), referring to adverse side effects a subject feels when given an inert version of the test drug. While placebos tend to have an analgesic effect, nocebos often cause negative effects or emotions when the subjects are told that they should expect/anticipate them. Before discussing any of these questions, it is worth noting that the Norwegian study focuses solely on classic sexual differences between cis-gender men and women. Though both keywords ‘gender’ and ‘sex’ were included in the study, research surrounding the specific effects of gender identity and gender-affirming therapies on placebos has not been thoroughly conducted as of 2023. It is with this focus that the following hypotheses are stated (3): “1) placebo responses would be stronger or more frequently observed in males than in females, 2) nocebo responses would be stronger or more frequently observed in females than in males, 3) verbally induced placebo responses would be more frequently observed in males than in females, and 4) conditioned nocebo responses would be more frequently observed in females than in males.” Results concluded that there was indeed a significant correlation between sex and placebo/nocebo effects when concerning pain relief. But what is truly fascinating is that while men received elevated levels of a placebo effect, such as reduced symptoms and analgesia, women were more susceptible to hyperalgesia and negative emotions. Those supposed ‘side effects’ appear to weigh more heavily on women (3). What does this say about how men and women process pain and information? The Norwegian study discusses the role of ‘psychophysiological mechanisms’ in pain pathways. Or, more simply, How stress and anxiety can affect the pain the brain perceives. In 8 of the 12 studies, men experienced significantly stronger analgesic effects from the placebo than women (3). It is plausible that men react more strongly to pain induced by stress hormones. This would explain why when taking a placebo, their anxiety level would decrease, and they would receive higher levels of analgesia than their female counterparts (3). Another study, upon which the Norwegian argument builds, investigates placebo delivery methods and their effect on perceived pain in men and women. In this study, men relied far more on verbal queues to provide analgesia, whereas women received a more significant effect from classic conditioning (5). These studies bring into question both the methodological and physiological effects of placebos on different sexes. What do these differences tell us about how men and women perceive the world? And what does this mean for the future of the placebo? The result of all of these studies is to show not whether placebos are bad or good, reliable or unreliable, but instead to highlight the differences in the physiological and psychological links when looking at different groups of people. At its core, a placebo is simply a trick of the brain, a psychological mirage. While the basis and reliability of placebos can be debated at length, their effect on the human brain teaches us something about ourselves societally. In all areas of medicine, the inclusion of people from all different backgrounds, genders, ethnicities, and ages is crucial so professionals know how to identify and treat various manifestations of a disease with grace and care. Now I know James responds better to verbal commands; I’ll be sure to tell him he has rabies the next time I see him. References Henning Schumann J. I contracted medical student syndrome. You probably will too. [Internet]. AAMC. [cited 2023 Jun 22]. Available from: https://www.aamc.org/news/i-contracted-medical-student-syndrome-you-probably-will-too Harvard Health Publishing. The power of the placebo effect - Harvard Health [Internet]. Harvard Health. Harvard Health; 2021. Available from: https://www.health.harvard.edu/mental-health/the-power-of-the-placebo-effect Vambheim S, Flaten MA. A systematic review of sex differences in the placebo and the nocebo effect. Journal of Pain Research. 2017 Jul;Volume 10:1831–9. National Cancer Institute NCI. Definition of nocebo effects [Internet]. www.cancer.gov . 2011. Available from: https://www.cancer.gov/publications/dictionaries/cancer-terms/def/nocebo-effect Enck P, Klosterhalfen S. Does Sex/Gender Play a Role in Placebo and Nocebo Effects? Conflicting Evidence From Clinical Trials and Experimental Studies. Frontiers in Neuroscience. 2019 Mar 4;13. Previous article Next article back to MIRAGE

Issue 5: Wicked 24 October 2023 This issue spotlights the mischievous, malevolent and morally dubious. Dive into a fascinating selection of articles by our talented writers below! A Message from the Editors in Chief Rachel Ko & Ingrid Sefton A word from our Editors-in-Chief. Columns Chatter Why Do We Gossip? Lily McCann Rumours, reputation and reciprocity: Lily debates the connotations we make with gossip and whether our assumptions of its malicious nature are justified. Ethics in Science Three-Parent Babies? The Future of Mitochondrial Donation in Australia Kara Miwa-Dale Cutting edge IVF technology is challenging our perceptions of what it means to be a parent. Kara deconstructs the social issues and ethics of mitochondrial donation. Features When Dark Matters Ingrid Sefton Dark matter: it has a name, yet no identity. Ingrid untangles the enigmatic nature of dark matter, probing into just what we do and don’t know about this cosmological puzzle. Black Holes: Defying Reality and Challenging Perception Mahsa Nabizada Black holes: portals into the unknown? Mahsa guides us through the mind warping and perception defying nuances of black holes. On the Folklore of Fossils Ethan Bisogni Ethan traverses the interface of palaeontology and mythology, considering the insights fossils provide into both natural phenomena and human nature. Wicked Invaders of the Wild Serenie Tsai In this article, Serenie examines the detrimental and dastardly effects of invasive species and their future implications. Griefbots: A New Way to Grieve (or Not) Akanksha Agarwal Akanksha considers the efficacy and ethics of AI Griefbots, exploring the implications for grieving, and the boundaries between life, death and human connection. Serial Killers Selin Duran Ever find yourself falling down the rabbit hole of gory true crime stories? Selin explores why our society is so infatuated with the lives of cold-blooded killers.