Truth: from that with a little t, to the just out of reach capital T “Truth”. We seek it, we declare it, we believe in it. An innate drive towards answers, embedded in the human process of scientific exploration.
Our notions of fact and fiction often feel like black and white binaries with clear boundaries; easily distinguishable, one or the other.
Consider an alternative. That science, as in life, is a chiaroscuro of fact and fiction. Shades of light and shadow, which contrast truths and contradictions in order to point us to a clearer, but never fully transparent view of reality. Our scientific methods help us whittle away outright lies, and approach a closer approximation to that of fact than one of fiction. Yet, undeniably, there remains frustratingly little we can say with utmost certainty.
History is littered with reminders of how fragile “truth” can be. There was a time when illness was understood as a delicate imbalance of blood, phlegm, black bile and yellow bile. At one point, continents were assumed to be fixed and unmoving, until tectonic plates revealed a restless Earth in constant motion. It is precisely by interrogating these once-settled “facts” that science advanced — not in straight lines, but through disruption, revision, and occasional collapse.
And still, there are questions we orbit but have not yet landed on. What exactly is dark matter, which seems to hold galaxies together while refusing to reveal itself? How does consciousness emerge from the quiet electrical choreography of neurons? In these spaces, science is not a catalogue of answers, but a map of known unknowns.
A lack of absolutes does not negate the power of science – far from it. Indeed, this is a large part of what drives us to become ever more inquisitive, innovative and critically questioning of the scientific landscape.
Ideas once accepted as unquestionable truths can be later overturned through science, just as concepts once dismissed as fantasy may eventually become reality.
May this issue urge you to pause, to consider the myriad of grey space that exists in between as you traverse the boundaries of truth, certainty and fabrication. Where does one end, and another begin?
A word from the Cover Illustrator Anabelle
For this issue’s cover illustration, I was inspired by the history and strange patterns of crop circles. These vast, intricate formations pressed into fields that sit somewhere between scientific curiosity, mass hysteria, art, and folklore; the perfect visual encapsulation for this issue’s theme, Fact and Fiction.
Cropping up throughout the late 70s to 80s, they became a cultural phenomenon tied to UFO sightings, conspiracy theories, extraterrestrial speculation, and pseudoscientific fascination. Conceptually, crop circles simultaneously exist as a hoax, artwork, scientific anomaly, and collective myth, depending on the observer.
I approached the illustration through a lens of nostalgia, imagining it as the cover of a forgotten children’s mystery book you could stumble upon in an op-shop dating all the way back to the 80s or 90s; sun-faded, slightly eerie, but playful in its wonder. The Midwest-inspired rural scene allowed me to lean into that atmosphere of a quiet blue hour mystery that surrounded alien encounters and paranormal media in the late twentieth century, when crop circles occupied such a strange and persistent place in the pop culture zeitgeist.
The beauty in crop formations lies in their underlying precision. Many are built off fractal geometry and repeating mathematical systems, and naturally occurring patterns found throughout science and nature. Even as objects associated with fiction and conspiracy, they are deeply rooted in structure, mathematics, and design.
Crop circles are carefully designed spectacles intended to provoke interpretation. Whether read as evidence, artwork, prank, or myth, they reveal how deeply humans want to believe in stories larger than themselves. The cover became less about proving whether something is real or fabricated, and more about exploring the fragile, fascinating space in between.
